A Passing Note on Grog’s Gamut
Until a few days ago, I’d seen ‘Grog’s Gamut‘ appear in my twitter feed from time to time as someone I follow retweeted him, but never really paid attention.
Of course since then James Massola has revealed the identity of Grog’s Gamut and the interwebs have spewed forth huge volumes of work on the man and his anonymity. This is hardly surprising given that it is an issues that just about everyone that blogs or tweets has put some thought into from time to time.
For the record, I don’t think it was unethical to out Grog’s Gamut. However, I do think it’s quite boring and I question to value in doing so. There is probably a little public interest, not because he’s a public servant, but because it is gossip. I don’t see how traditional media expects to be taken seriously when it prints boring rubbish like this.
To make matters worse, the boringness of this sort of reporting is further punctuated by the fact that the only reason anyone is interested in Grog’s Gamut is because he’s quite good at what he does and is yet another example of new media are out performing traditional media.
But for me the more interesting question the issue raises is on of trust and legitimacy. In traditional media, what is written falls under the banner of the once respected masthead of the paper they are writing for. New Media practitioners have to actually earn the trust of their audience and that is even harder to do if you are anonymous.
Grog’s Gamut was clearly a good read – so good he managed to influence the ABC’s the managing director Mark Scott. By all accounts he was insightful and that cut through the cacophony of other blogs that are less insightful (like this one). To have your writing noticed, acknowledged and trusted* when no one knows who you are or what your credentials are is quite remarkable.
*The same issue presents itself to wikileaks and I think it’s fair to say that there is currently a concerted effort to undermine the trust that the organisation enjoys that legitimacy by a range of people.
